I love Mondays

I was chatting to one of our resident artists at work the other day and she said that she really looked forward to Mondays as she spent Sunday in anticipation of getting back to her studio.  Well I like Mondays too.

Today I'm off to Harlow Carr to drop off glass for a forthcoming exhibition. It's a lovely drive over to Harrogate via Beamsley Beacon (a very big hill) and I have a car boot full of new glass.  Harlow Carr is a fantastic place to visit, made up of extensive gardens and owned by The Royal Horticutural Society.  The exhibition, which opens on 17th March, will be in the Old Bath House and I am really looking forward to it.

The Old Bath House, Harlow Carr

I think the reason that I like Mondays so much is that no two days are the same. Last Monday I was teaching glass fusing and next Monday I will be enjoying a long weekend in The Lake District. Before I was self employed I worked for a building society and every monday (in fact, every day) was the same. 

Once I get back from Harlow Carr I will spend the rest of the day back in the studio creating more glass for an exhibition application with a deadline of the end of March (!) I'd better get busy then....

Making Plans

At the end of each year, when I have finished my last event, I always tell myself that I will have plenty of time to make new glass during January and February and even take some time to develop new ideas and test out new materials. It has never happened and this year is no exception.

I have applied for three open call exhibitions and have been busy making new glass for each (I am only allowed to submit the glass shown on the application images) and I also have a show at Harlow Carr at the end of March.  In May I will be at Saltaire Arts Trail for three days and I will need plenty of glass for that too.  So the kiln has been on nearly every day and I have been cutting, grinding and cleaning as much glass as I can.

As a small business I always find January/February difficult months for cashflow - not much flows in but plenty flows out to pay for stall fees and submission fees.  I try to spread the cost of glass by making my significant purchases when Warm Glass has sales and offers. I took advantage of their 12 Days of Christmas offer in December to buy all my teaching glass and my staple glass - large sheets of clear, white and vanilla.  I only started planning to buy glass a couple of years ago when I created a Cashflow Forecast and monitored my spend from 2012.  Money spent on glass was chaotic and impulsive (and frequent)! so I have reined in my outgoings by setting a budget for each expense. This means I have cut down on buying magazines and books and keeping a record of my mileage. 

If, like me, you are a small business and struggle with balancing the books, I recommend setting up a Cashflow Forecast in Excel. Financial forecasting, budgeting and bank reconciliation is really boring so I set aside two hours a week to update my spreadsheets and accounts.  It might not stop you from spending money but it certainly answers the question "where does it all go"?

Create Your Own Glass

Fused glass platter

Have you ever wanted to make your own fused glass platter, dish or wall piece? I offer individual tuition at my studio in Silsden, West Yorkshire to enable you to make a stunning piece of glass to your own design. 

Glass plate after the first firing

I design, cut and clean all my glass prior to placing it on the kiln shelf for fusing. Most of my glass goes through 2 days of kiln firing (coasters up to four) to achieve the finish that I like - a slightly raised design but all edges are well rounded.

Glass plate on platter slump mould

Once the glass is fully fired it is washed to remove any resideue of kiln wash and then placed onto a ceramic slump mould. The piece is then fired at a lower and slower rate so that it slumps down into the mould and takes the shape of the platter. This is always the exciting bit - opening the kiln to see the finished dish. Some glass fusers will grind the edges of the dish and refire it to "polish" the edges but if your firing schedule is slow enough this isn't necessary.

Slumped platter stll in the mould

If you would like to visit the Glassprimitif studio and make a large glass platter or wall piece you can contact me HERE. No previous experience of glass fusing is necessary and all materials are provided and refreshments too (but bring a packed lunch).

£150 full day - 10am to 5pm

Glass Fusing Workshops 2015

Enjoy a day of designing and creating your own glass at our friendly workshops at Lowe Maintenance Training in the heart of Settle, North Yorkshire

Saturday 18th April 2015 10am - 4pm (maximum no: 8)

Creating Glass Coasters

This workshop is aimed at absolute beginners and intermediate glass artists as an introduction to glass fusing.  The workshop will include: cutting skills, technical know-how, working with coloured glass,  designing and glass assembly.   Expert tuition given and  Bullseye glass used.

Saturday 16th May 2015 10am - 4pm (maximum no: 8)

Designing for Glass Jewellery

Aimed at jewellers and anyone with an interest in jewellery, this workshop will enable you to create a pendant, brooch and earring set using both Bullseye and dichroic coated glass. The ability to cut glass will be an advantage.

Costs: £70 (all materials and equipment provided)

Where: Lowe Maintenance Training 18 Duke Street Settle North Yorkshire BD24 9DN

To book: contact Jo Whitehead of Glassprimitif by email to

Jfwhitehead@blueyonder.co.uk or call  07837471040 or find us on Facebook

We accept payment by Paypal, BACS or cheque.  Full payment please, no deposits taken               

                         

Pick and Mix

Exhibition at Bradford College

Early in December I was invited to take part in the forthcoming Pick and Mix exhibition at Bradford College Dye House Gallery (13th January until 18th February 2015)
Bradford College holds a huge archive of textile samples dating back to the glory days when West Yorkshire was the centre of excellence in the textiles industry. Many of these samples date back as far at the 18th century and it is a great wealth of resource for anyone studying, or has an interest in textiles.

Sketchbook pages 

The exhibition will showcase the work of Yorkshire based artists, makers and designers in response to the archive.  I chose two textile samples from The Americas collection because, as I am from a textile background, I am very interested in mid century design.  Now they are finished and have been shipped off to Bradford College, I will get to see them in situ at the preview on Tuesday 13th January and I am really keen to see what everyone else's work will be like.

"1952" large platter 

"1956" curved fruit dish

If you are in the Bradford area pop into The Dye House Gallery, it really is a wonderful exhibition space. The Dye House Gallery is open from Monday to Friday, 11am until 4pm; with a special Saturday opening on 7th February 2015, from 10am until 4 pm