Showing posts with label Shaw galleries. Show all posts
Showing posts with label Shaw galleries. Show all posts

Thursday, 27 December 2007

Sources of Inspiration

As an art teacher in secondary and further education I often help students who are struggling for inspiration and ideas. As a glass artist I sometimes struggle for ideas myself. This “block” on ideas isn’t easy to cope with as it can leave you feeling fed up and panicked but, just like writer’s block, it soon passes.

How does an idea start? Twenty years ago I worked as a freelance designer and my clients expected me to produce at least 3 to 5 good quality ideas for each brief. Working on new designs with short deadlines made me ideas-rich but, working at that pace, also left me exhausted creatively. Fortunately design is more to do with nurture than nature and, once you are in your stride as a designer, more ideas flow. Imagine your first idea is like an acorn that grows into a strong tree that branches off with similar ideas that then scatters more acorns (ideas) that start the whole process again. That’s how contagious ideas can be!


Where to begin? Anything or anyone can trigger an idea - a landscape, a building, a song, a conversation, a colour ….. it sounds pretentious but it’s true. Are you completely stuck? Don’t have an idea of your own? Stop looking around and look inside yourself instead. What do you like to do? What are your interests? List three things about yourself. Here are some possible examples:
I drink a lot of tea!
I love gardening.
My favourite colour is red.
Three design ideas already. Let’s take a look at Drinking Tea and list words that are linked to this idea:
Tea leaves, tea bags, tea pot, tea cups, tea strainer, tea spoons, sugar bowl, milk jug, saucers, tea plates, biscuits, dainty cakes, napkins, tablecloth….
Now I gave gathered the ideas they need to be developed into a design. What am I going to do with this design? Will it be a collage? Mosaic? Patchwork quilt? Glass dish?


An appliqué quilt based on the idea of Drinking Tea.
Look through magazines and catalogues, selecting and cutting out images of tea pots, cups, cakes, etc.
Make rough drawings of the shapes of the images.
Decide on the shapes you like and photocopy your drawings. Play around with the cut out shapes on a large piece of plain paper. Can you construct a design that you are reasonably happy with?
Look at patterns and colours of china tea sets that you might like to use on your appliqué shapes. Willow pattern? Royal Copenhagen? Stripes and spots? Roses? Plain colours? Check tablecloths?
Spend some time looking at fabrics that will suit the design for a Tea Drinking Applique Quilt. Think about three main things when you select material: colour, pattern and texture.


Where can you keep all these ideas? Becoming ideas-rich and collating images is addictive but it is difficult to develop these ideas if all your reference is loose. You may find ideas for future projects whilst researching for a current project or you may want to go back and look at a previous idea.
There are several ways you can store and group your reference and images. Choose one or more that you are comfortable with and suits you.
Sketchbooks hard backed, A4 or A5 size, plain or patterned cover, artists’ sketch block, children’s drawing pad.
Notebooks plain or lined pages, jotters, exercise books, spiral bound books, hand made books, stapled pages. (You can buy plain books on Dawanda).
Scrap books sugar paper, scrap computer paper, foolscap paper.

Where can you find sources for design? Magazines, children’s books, catalogues, photographs, travel brochures, newspapers, postcards, paint charts, fabric swatches, architecture, nature, patterns, ethnic art, historical and contemporary art, postage stamps, found objects, pebbles, shells…..


Design boards. I like to make design boards, I have been making them since art school (a long time) and still look at the very old ones when I am looking for a fresh idea. This design board is for an idea I have for making glass sushi dishes. I sought out images of origami paper dolls and toys and have included washi paper with some drawings I have made. I am looking at three things: shape, colour and texture. The pleasure of making a design board is arranging the images and then sticking them down.
Working Drawings. Unlike finished drawings, working drawings are dispensable – they can be scribbled over, redrawn and notes made in the margin. Working drawings don’t need to be to scale – that’s the job of the finished drawing. When I have thrashed out several drawings on paper I then draw the exact measurements for a sushi dish and finalise my design.
The finished outcome. So from a design board I have finished a selection of sushi dishes called “The Sushi Girls”. My design board and drawings helped me to resolve problems and adapt my designs for glass.


A quick note about copyright – copyright law is tricky to enforce unless you are a powerful corporation who makes soft drinks or Japanese cartoon cats, or you have a lot of money to enable you to sue. This means that the little people (like you and me who can’t afford to hire lawyers) are vulnerable to having our precious work copied. Here are some does and don’ts:
Do take care when downloading images from Google that you are not infringing others’ copyright. Pasting their images on your design board is fine as long as you are not directly copying their work.
Instead, take a look at Dover Books which are 25% copyright free http://doverbooks.co.uk/ . These books are a fantastic resource.
Make sure that your designs at lest three steps away from the sources of reference you have collected.

Please don’t scan websites like Dawanda and Etsy to directly copy others’ hand made items and then sell them through another selling website. You WILL get found out.
If your idea and design is your own and unique then ask the viewer to respect your copyright.

And finally, please note that this article is solely the property of Glassprimitif. Please do not copy parts of it out for re-publication without the author’s permission.

Friday, 25 May 2007

Creating a Glass Dish Part 4

After one day fusing and one day slumping the dish is finished. I take the cold dish from the kiln and check the back to see if any kiln wash is stuck to it. I then wash it in warm water with washing up liquid and dry it. Now for some kiln maintenance - I check the kiln shelf to see if it needs repainting with kiln wash and vacuum out the kiln ready for the next fusing.
These dishes are available from the following outlets:
www.glassprimitif.etsy.com
www.shawgalleries.co.uk
www.keighley.ac.uk/kaf

Monday, 7 May 2007

Dichroic glass is lovely

I love dichroic glass. I first saw it on a US glass website and thought "that is the glass for me". I originally used Dichromagic but now I only use CBS (Coatings by Sandberg). When I first started making dichro jewellery there wasn't very much made in the UK and so the galleries I approached were quite taken with it. I went to the British Craft Trade Fair at Harrogate and most of the dichro I saw there was fairly awful (quite a lot of badly cut and underfused pieces) which encouraged me to invest more time and energy into making dichro fused pieces. Now, of course, the market is saturated with dichro and I am constantly changing my ideas and designs to keep it fresh. There is so much mass produced dichro on eBay that I can't get a good price so I'm quite glad there's Etsy now. I like to add small pieces of dichro on fused glass dishes to give them a sparkle but dichro is so expensive I have to use it sparingly. Like all my glass, I save every fragment when I have cut it and fuse the small pieces in the kiln to make decorative "blobs".
What is dichroic glass? Dichro isn't a glass in itself but layers of quartz crystal and metal oxides that coat a glass surface. As long as the coated glass is compatible with other glass then dichro coated glass can be fused with transparent or opaque glass. CBS dichro is coated onto Bullseye therefore CBS is compatible with all glass that is 90COE, including Bullseye. You can also buy other dichro coated glass, such as float, which will be compatible with glass that is 82COE. Both these types of dichroic coated glass are available from www.warm-glass.co.uk
Why use dichroic coated glass? The dichroic coating transmits a colour which, once heated, reflects a different colour from its surface. This reflection is dependent on the angle you hold the glass at because the refracted light from the surface makes it faceted. Dichro can also be influenced by the colours you are wearing as dichro jewellery can pick up different variance of colour. A good example of this is the blues which can range from cyan to violet. Wear it against black and it will be different than wearing it against, say, green. Wearing dichro jewellery is very attractive because the flash of changing colour catches the eye as the wearer moves around.














Dichroic glass jewellery by Glassprimitif is available from:
www.shawgalleries.com
www.glassprimitif.etsy.com
www.keighley.ac.uk/kaf

Saturday, 28 April 2007

Carrick Bay


Last year we wnt to Scotland for our holidays and stayed at Carrick Bay on the Solway Coast. It was beautiful and so peaceful, with the mountains sweeping down to the sea and the little bays with birds and deer and rabbits. I took some photos of the beach and the skies and, on our return, made some sketches of the pebbles and rocks.



From these I designed four glass dishes in amber, brown and grey on vanilla with a touch of dichroic glass in each one.
These dishes have now been listed on Etsy and are for sale at $25 each. I have made two sets, although they will never look exactly the same, therefore they are unique. The second set are at Shaw Galleries in Skipton, UK.






I really enjoyed making them but I won't be making them again. I'm now interested in the seaweed photos that I took so I will be exploring this idea in glass.


www.glassprimitif.etsy.com
www.shawgalleries.co.uk

Monday, 23 April 2007

Hearts of glass

Before Valentine's Day Shaw Galleries asked me to make some heart shaped pendants. Yikes! I anticipated that the shapes would be very difficult to cut but, after a bit of practise, I really enjoy making these now. These ones are Bullseye chips placed between a clear and vanilla glass heart. Unfortunately, if I don't get them right the first time, they lose their shape in the kiln when re-fired (top left pendant) and become triangles. I also make these in dichroic glass. (See below). Hearts of Glass now showing at Shaw Galleries in Skipton North Yorks UK www.shawgalleries.co.uk and also at www.glassprimitif.etsy.com